“Are Dancers Athletes?” The simple answer to this question is F#$k yes they are! And for any dance athletes reading this you need to see yourself this way as well.
It’s important you start embracing your inner athlete and realize how cross training, and therapeutic modalities may help prevent injury, increase performance, improve recovery, and add longevity to your career. It’s also equally important to seek out help and address any nagging discomforts in your body before they grow into bigger problems.
A smart man once told me the best ability is availability. Carrying yourself like an athlete will in turn make other professionals treat you like an athlete. You deserve a spot at the table with football, baseball, and basketball players.
I personally don’t have a dance background. The closest I have ever been to performing was at wedding after several tequila shots and if people stopped to watch it wasn’t because I missed my calling.
My purpose is to keep people doing what they love doing for as long as possible. My passion for helping people has afforded me the opportunity to work with all kinds of athletes.
I have seen the dedication and physical demands it takes to play soccer, baseball, football, basketball, volleyball, rugby and a wide array of martial arts at a high level. From what I have witnessed, those who dedicate themselves to hip hop work just as hard.
My colleague Dr. Donald Mull, DC and I have had the privilege of working with Keone and Mari Madrid on project called Beyond Babel, immersive story told through modern hip-hop style dance. The show has a cast of 12-15 dancers of which we are responsible for their health, recovery and well-being. Besides being an amazing story with a powerful timely message about the potential tragedies that occur when polarizing bipartisanship tears into fabric of a society and splits its people apart (you just need to see the show) the choreography was extremely physically taxing.
My colleague Dr. Donald Mull and I witnessed the totality of the demands that these athletes went through and the effects it had on their bodies week by week. I would like to mention a key component of Keone and Mari’s resilience was the strength training work they did with Nghia Pham owner of Optimum Training and Performance. (A solid strength and conditioning program should to be the meat and potatoes for your injury prevention.)
We were tasked with finding ways to keep them ready and available to perform. They had 75 performances, the show ran 5-6 performances a week twice on the weekend, every show was 1 hour and 40 minutes long, with each person performing at least 80% of the time. This does not include practice time, as new choreography pieces were added as the show evolved.